On Saturday Kate Hardy organised a 12 hours drawing night, where 8 artists
explored drawing as a working process at the project space - Studio 4 based in Chisenhale Studios in London (For more information on the space view http://chisenhale.co.uk/chisenhale/studios/project-space/). Starting at 7pm artists explored the use
of mediums from charcoal, pen, pencil and collage whilst responding to themes
including continuous drawing, portraiture, natural form, film and birds in
flight – completing the last sketch at 7am!
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| Paper chicks by Lisa Smith, collage, ink and charcoal on paper |
If you look back on art history, drawing has been a familiar part of the
creative process. Traditionally, printmakers, painters, and sculptors might
dash off sketches to practice technique, keep notebooks as a way to gather and
organize ideas, or draft formal renderings. With the range of mediums, methods
and techniques of drawing that are readily practiced in contemporary art, this
drawing session provided us with a chance to use drawing to brainstorm and
experiment, to explore ideas, and to propose, circulate, and chronicle works in a range of
drawing media.
Within my workshops I am always preaching observation is key to successful
drawing, practice daily and experiment with your materials, however if I am
honest – within my own practice I tend to mainly draw with water-soluble
crayons, draw when I get the chance (which is NOT every day) – BUT I do
maintain a keen observation of my drawing subject prior to any commitment to
paper.
What I felt was so successful within this event was the continuous drawing,
the continuous change of subject matter, the continuous change of light and the
range of mediums to experiment with. Working alongside fellow artists I felt
that I could relate and was inspired to respond to their style, ideas, visions
and practice. It was a joy to reengage with drawing as a creative process.
Here are some images of the work created over the 12 hour period:
Continuous Drawing - Project 1
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| The first project of the night was continuous drawing, each artist started of a drawing on a piece of A2 paper , folding over the image once completed and passing onto the next artist to continue |
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| Admiring the finished pieces |
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| This was a great starting project, to loosen up, get to know the other artists and more importantly to have fun! |
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| Pinning up the blind contour drawings to the studio wall |
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| Portrait work in Charcoal, prior to the portrait work led by Kate, we all completed a blind drawing on the person sitting in front of us. The idea behind this is to take the time to observe your subject so that (in theory) when you start to draw your portrait you have familiarised yourself and focused on key features, shapes and forms |
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| Finished portraits |
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| Joys Charcoal drawing on me. It's funny how when you draw yourself or if you are drawing each other - you always end up looking so stern in the portrait |
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| The next project was led by myself, looking at hands for inspiration. This light was really interesting at this time and as you can see from the picture it was quite easy to cast shadows. We used our hands to create mythical beasts, animals or observational drawing of hands |
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| Julie making a dove |
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| Joys observational drawings of hands |
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| Mediums available throughout the night included charcoal, pencil, pastels, oil pastels, felts, ink, collage, paint, tape, coloured pencils and pen |
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| Completed hand drawings |
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| Birds in flight project, this project saw artist explore the use of collage as a drawing tool |
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| Kate's bird in flight mixed media drawing |
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| These drawings were sketched in pen on a pad of paper on a tablet. The idea for this project is that all the drawings will be layered together on the computer to create a unique piece of work |
Project 5 - Lunch
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| We even drew whilst we ate our "lunch" at 2am! |
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| Drawing to film, |
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| Watching "Amarcord" (When the puffballs sore!) I really enjoyed watching the film and drawing images that inspired or spoke to me. I drew snippets of scenes and added quotes, shadows in my sketchbook pictured above. |
Project 7 - Natural form
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| My Natural form pencil drawing of a seagulls skull |
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| Drawing natural form around 4am - now supported by large amounts of coffee! |
Project 8 - Found Object
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| 3B and 6B pencil drawing of an old shoe, I think Kate said this had been found along the canal, such a beautiful object to draw. |
Project 9 - Found Image
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| Spike working from a found image. Using pen on paper |
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| As I had confirmed earlier in the session that portraits really are not for me, I chose to use the heart from the found image above as my inspirational resource. Once again I worked in 3B and 6B pencil
I thoroughly enjoyed working in charcoal on numerous projects which I don't think I have really done since University. I had forgotten the intensity, the quickness and the raw quality you can achieve with this medium. I think this is one that I am going to have to add to the sketch bag for future outings!
I hope that you have enjoyed this blog and that it has inspired you to think about the mediums that you use and to experiment and explore the wide diverse range of mediums within your practice - at least once in a while anyway!
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