Faces and Places

Up until a year ago I taught NCFE Drawing and Painting at the local college. I was really pleased to receive an email from one of my old learners informing me that he was holding a exhibition of his work at the local library. Armed with my camera and marking pen (hard habit to break) I went along to see what Martin Dyer has been up to. Martin has always had a passion for drawing portraits of some of his favorite jazz and blues musicians. In this exhibition "Faces and Places", Martin has developed his range of portraits to include movie stars, rock and pop and images of places he has visited. I love the snap shot take on all the works, you can almost imagine him standing there with the camera.

Martins pictures of places remind me of Paul Gauguin's "There is a temple" 1892, this picture looks like a typical tourist shot, the fence prevents you from getting the close look, so the image has to be taken from a distance.

 The works are created in pen and ink, watercolour and pencil mediums and are simply stunning. There are some really interesting images in the exhibition so if you have not already been, take a peek. As I said earlier, the exhibition is being held at Basildon Library and is on until the 30th November.

Until you get the chance to go along, her are some sneaky pictures, apologies for the poor lighting.

 This is my favorite picture in the show, amazing perspective

 My son adored the camel drawing, the line work and texture is very delicate

To find out more about Martins art, check out his new website www.martinsart.co.uk

Journeys and Cells

Last month I held my first solo show at Glass from the Past at Barleylands craft village as part of the A127 art trail. In the exhibition I showed a selection of my paper 'cell' sculptures and crayon 'journey' drawings.

The `cell’ sculptures in this exhibition portray my love of paper. I enjoy reclaiming old papers, newspapers, found images etc giving them a new life and a new form. My working process explores manipulating the use of paper as a sculptural medium, expressing the aesthetic quality of nature.

My drawings reflect observations of places and happenings I have come across on various journeys. I use oil pastels and crayons to create accessible images provoking the viewer to contemplate their own journeys, memories and thoughts of everyday life.

For those of you that missed out on seeing the show, here are some pictures for your viewing pleasure.

 Gallery View showing Eclipse, and 9 Cells, Paper sculptures made from newspaper and painted with acrylic paint

 9 Cells, newspaper and acrylic paint

 Metamorphose 1, newspaper, printed paper and acrylic paint

 Shapes that go together, newspaper and acrylic paint

 Nothings gonna stop us now, newspaper and acrylic paint

 Unknown Journey, newspaper and acrylic paint

 I'll do my crying in the rain (detail), newspaper and acrylic paint

 I'll do my crying in the rain , newspaper and acrylic paint

 My cup runneth Over (detail), newspaper and acrylic paint

 I'll do my crying in the rain, newspaper and acrylic paint

 Cell, newspaper and acrylic paint

 Live, Love Laugh, newspaper and acrylic paint

 Me

 My Journey Drawings on Display

 Paris in the Rain, Pastels, Water soluble Crayons and pencil

 London Calling, Pastels, Water soluble Crayons and pencil

 Brandenberg Gate, Pastels, Water soluble Crayons and pencil

 Bubble Girl, Pastels, Water soluble Crayons and pencil

 Wellies, Pastels, Water soluble Crayons and pencil

 Frothy Spoon, Pastels, Water soluble Crayons and pencil

 Norwegian skies, Pastels, Water soluble Crayons and pencil

 Elizabeth, Pastels, Water soluble Crayons and pencil

Going Nowhere, Pastels, Water soluble Crayons and pencil

I am happy to undertake any commissions and have some of the drawings and sculptures shown above still available for sale. If you would like to make an enquiry please contact me on lisamart@hotmail.co.uk

Thank you to Caroline Wieldman for graciously allowing me to exhibit my art work at Glass From The Past at Barleylands Craft Village www.glassfromthepast.co.uk and Matt from Root red photography www.rootredphotography.co.uk for the amazing photos of my sculptures.

From Morning Till Night

 This is an image of the photo that I was sent - Position 50. I found out in a conversation with some of the Czech Villagers, that this is a factory that makes alcohol. One of the villagers husband used to work at the building and explained to me that the picture was taken from the forest.

This Saturday I had the pleasure of spending 12 hours drawing as part of the From Morning Till Night commission by Tate Modern of the Artist Katerina Seda. This was an amazing event and a great opportunity for those involved to meet some very talented artists and interesting people. I arrived at the Tate Modern at 6am and was greeted with a smile by some tired looking staff. All artists were given their position number, badge, translation book, map and any materials they had requested. At 6:30 I placed myself on the far corner of the Tate by the millennium bridge and got to work on my image. I really enjoy drawing outside and the early start (although a bit of a shock to my system) presented me with a beautiful and peaceful environment to work in. As the morning progressed Czech Republic Villagers started to walk past, offering a smile and comments on the site I was drawing whilst carrying out the action or activity Seda had provided for them.

So what was the project about - Katerina Seda invited 80 residents of all ages from Bedrichovice, a small village in The Czech Republic, to perform a one-day action in London. In the village the inhabitants would normally leave the village at sunrise to go work, carry out chores and go to school - only returning home at sunset. This limits social interaction with their neighbours, with many villagers only meeting when they bump into each other accidently. Seda wanted to bring the villagers to London and recreate the village in an unfamiliar context. The villagers were given tasks to perform such as building a den out of cardboard boxes, do washing, playing badminton, riding a London Barclay cycle, taking photos, celebrating a birthday and so forth. These actions and activities provided the opportunity for the villagers to integrate in a new way, within the imaginary border around Tate Modern to St Paul Cathedral.

In addition to the villagers 80 UK based artists were invited to assist Seda in representing these imaginary borders. Each artist was sent a picture from the village and provided with a spot positioned at the outskirts of the imaginary village to draw or paint the picture. The general idea, was that the artists would slowly create pictorial images of the village to the passing London visitors whilst the Czech Villagers engaged in social activities within the imaginary village borders.

These are some of my pictures of events of the day and the extensive range of art work produced as part of the commission.

 The start of my drawing at 6:30am....

 In Position 51 was Max Dixon, Who created this stunning Chalk Pastel image

 

These exquisite acrylic paintings were created by Layla Al-Marzooqi, describing some of the foliage and the side view of the factory.

 More foliage being painted along the Southbank

 These two boys were amazing throughout the day. They constantly had smiles upon thier faces and were checking on the artists to make sure we were all ok. It was great to observe them enjoying building their den and chatting with them about their home.

 Me and my coffee cups at Position 50

 My finished drawing, completed using water soluble crayons.

  

After completing my picture I tried to draw it from memory. I did cheat a little referring to the  photo for the initial outline, but I promise I did not look at it once when adding detail and shading. If you look at the foreground you will notice my lack of imagination with the foliage which all seems to be leaning in the same direction. The image above has a bit more movement to it.

The images below show a snapshot of the village and the incredible work created by some very talented artists. I hope I have got all the names correct and apologies if there are any spelling mistakes.

 Ade Awofadeju detailed pen sketch

 Isabell Markus expressive watercolour

 Debbie Atkinson breathtaking pen and ink

 Inez Schrader - if you look closely you will see that Inez got the villagers who passed her by to sign her picture, actually giving them ownership and putting them in the picture.

  I did not get the names of the artists that created the two images above

 Katerina Seda and her Intepreter address the villagers and artists at the evening celebration

If you would like to find out more about this project have a look at the following link http://www.tate.org.uk/modern/eventseducation/musicperform/24135.htm or read about events of the Tate Blog http://blog.tate.org.uk/?s=katerina+seda